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From the blog

A citrus facelift for a nationally significant building

Tue, May 3, 2011
by Kate Armstrong
  • Building
  • Heritage

In March the front of the Old Parliament House building was lit up for the Enlighten Festival. It was spectacular. This week the artwork continues but this time on the rear facade. We are restoring the colour and texture of the facade to the original vision of the architect of Provisional Parliament House, John Smith Murdoch. The project will be done in three steps – removal of non-breathable paint, restoration of the render and repainting.

From the 1920s to the 1970s breathable paint was applied to the render in accordance with John Smith Murdoch’s design and intention. However, in the 1970s and 1980s non-breathable oil-based and acrylic paints were applied resulting in moisture being trapped in the render which has cracked and ‘popped’. The first step in this project is to remove this paint to establish a suitable surface for the fresh paint. The product used to remove the paint is non-toxic, paper-based, very effective and smells pleasantly of citrus. While it is doing its work it is swathed in thin plastic to prevent the paper-based product from drying out too quickly.

Once the old paint is removed the next step is to restore the render where it is cracked and delaminating from the brick walls; a very specialised job on a large, nationally significant building in the Stripped Classical style complete with soffits, piers, balustrades, terraces and access bridges. Finally, the whole will be repainted with fresh, white breathable paint.

As any DIY enthusiast will tell you a good quality job is all about preparation, preparation, preparation and all the detailed and laborious effort put into this project will pay off with a facade worthy of the vision of John Smith Murdoch.

Related link

  • View more images of this project at our Flickrstream
The extent of the paint removal task is evident in this shot of the rear facade.

The extent of the paint removal task is evident in this shot of the rear facade.

  • The project methods were tested on this archway before work commenced.
  • After the paint removal product is applied it is swathed in thin plastic to prevent it drying out too quickly.
  • Damage to the paint and render on the rear façade of the building.
  • After the paint has been removed and before render repairs.
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Kate Armstrong joined the museum as Interpretation Curator in 2009 and is now in the heady position of Interpretation and Community Learning Manager. Before joining the museum she worked on orientation and interpretive projects at the Australian National Botanic Gardens and prior to that in tertiary education at the University of Canberra and La Trobe University. She finds working in this building every day a privilege – especially those days when she finds a new, unexplored room.

Museum of Australian Democracy at Old Parliament House

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