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From the blog

The Pank-A-Squith board game

Mon, August 22, 2011
by Libby Stewart
  • Collection
  • Research
  • Suffragette

The museum has recently acquired an exciting new object which will help us tell the story of how women in Britain acquired the vote. The board game, Pank-A-Squith, was produced in Britain in the early 1900s and named after two people central to the story of British women’s suffrage: Emmeline Pankhurst and Herbert Asquith, British Prime Minister from 1908 to 1916.

Emmeline Pankhurst was the principal founder of the militant suffragette organisation, the Women’s Social and Political Union (WSPU), which formed in England in 1903 in response to the refusal of Prime Minister Asquith’s government to give women the vote. Women who joined the WSPU used violence and broke laws in order to be arrested and sent to prison, bringing attention to their cause. Many, including Pankhurst, were sent to London’s Holloway Prison on numerous occasions, and it became common for women to undertake hunger strikes while incarcerated.

The WSPU had shops selling fund-raising merchandise all over London and in many country centres. The Pank-A-Squith was first sold in WSPU shops in 1909, with the aim of highlighting the cause of votes for women in a fun and appealing way. The game is a traditional spiral of squares, where players start on the outermost square (at home) and through a series of events, including rock throwing and being thrown in prison, end up at the British Houses of Parliament, having successfully petitioned for votes for women. Six lead figures wearing sashes in the suffragette colours of green, white and purple were used as tokens, and although the game appears light-hearted it depicts serious events. In square six, women are seen throwing stones through the windows of the Home Office, square 25 shows Emmeline Pankhurst being arrested on 29 June 1909 after she struck a policeman in the face several times, and square 43 shows a woman in bed in prison, refusing to eat. Women on hunger strikes were frequently and brutally force-fed, with many sustaining serious and at times life-threatening injuries as a result.

Although there are examples of the Pank-A-Squith in some British museums, it appears that the museum’s copy of this intriguing game is the first in a public collection in Australia. Its links to Australian democracy are clear: Australian women had won the right to vote by 1902 and they were a source of inspiration and support to British women during their long and bitter struggle for suffrage – which was finally achieved for all in 1928.

The museum will have the Pank-A-Squith on display during its conference Women, Leadership and Democracy in Australia, being held at the Museum of Australian Democracy at Old Parliament House this December.

The Pank-A-Squith board game with its set of rules and six lead tokens. The game was made by a leading German company, and sold by the Women’s Social and Political Union in its shops throughout Britain.

The Pank-A-Squith board game with its set of rules and six lead tokens. The game was made by a leading German company, and sold by the Women’s Social and Political Union in its shops throughout Britain.

  • Each lead token is coloured differently and features a sash in the colours of the suffragettes; purple, green and white. The tokens are said to be modelled on leading suffragette, Emmeline Pankhurst.
  • These two board game squares call for financial support for the cause of women’s suffrage, and depict women in a boat on the Thames, petitioning for votes for women outside the Houses of Parliament.
  • The squares in this image depict women in prison after law-breaking episodes in the cause of women’s suffrage. The woman shown in bed is on a hunger-strike, while her keeper complains that he will have to set her free, as he did with her predecessors. When women first went on hunger strike in prison they were immediately let go because authorities did not want them dying and being seen as heroes. Later they kept the women in prison and brutally force-fed them to keep them alive.
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Libby Stewart is the Senior Historian and Research Manager at the Museum of Australian Democracy at Old Parliament House. Previously she was a historian at the Australian War Memorial, in Canberra, where she curated major exhibitions including the Vietnam gallery and the Hall of Valour. She is the co-author of two books on the Vietnam War (Viet Nam Shots and With Healing Hands) and the co-editor of a book on war and medicine (War Wounds: Medicine and the Trauma of Conflict). She is currently researching the material culture of women’s leadership and women leaders in the Australian defence forces. She joined the Museum of Australian Democracy in early 2011.

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